{"id":4166,"date":"2026-05-16T10:23:56","date_gmt":"2026-05-16T02:23:56","guid":{"rendered":"https:\/\/ecmicrophones.com\/?p=4166"},"modified":"2026-05-16T10:41:03","modified_gmt":"2026-05-16T02:41:03","slug":"microphone-sensitivity-a-practical-selection-guide","status":"publish","type":"post","link":"https:\/\/ecmicrophones.com\/it\/microphone-sensitivity-a-practical-selection-guide\/","title":{"rendered":"Sensibilit\u00e0 dei microfoni: Una guida pratica alla selezione"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"925\" height=\"540\" src=\"https:\/\/ecmicrophones.com\/wp-content\/uploads\/2026\/05\/microphone-sensitivity-far-field-vs-near-field.png\" alt=\"high-sensitivity-vs-low-sensitivity-microphone-guide\" class=\"wp-image-4168\" srcset=\"https:\/\/ecmicrophones.com\/wp-content\/uploads\/2026\/05\/microphone-sensitivity-far-field-vs-near-field.png 925w, https:\/\/ecmicrophones.com\/wp-content\/uploads\/2026\/05\/microphone-sensitivity-far-field-vs-near-field-300x175.png 300w, https:\/\/ecmicrophones.com\/wp-content\/uploads\/2026\/05\/microphone-sensitivity-far-field-vs-near-field-768x448.png 768w, https:\/\/ecmicrophones.com\/wp-content\/uploads\/2026\/05\/microphone-sensitivity-far-field-vs-near-field-18x12.png 18w, https:\/\/ecmicrophones.com\/wp-content\/uploads\/2026\/05\/microphone-sensitivity-far-field-vs-near-field-600x350.png 600w\" sizes=\"auto, (max-width: 925px) 100vw, 925px\" \/><figcaption class=\"wp-element-caption\">Microphone sensitivity comparison: far-field high sensitivity vs near-field low sensitivity<\/figcaption><\/figure>\n<\/div>\n\n\n<p><em>What sensitivity means, how to choose the right value for your product, and why higher is not always better.<\/em><\/p>\n\n\n\n<div class=\"wp-block-rank-math-toc-block\" id=\"rank-math-toc\"><div>In This Article<\/div><nav><ul><li class=\"\"><a href=\"#part1\">Part 1: What Is Microphone Sensitivity?<\/a><\/li><li class=\"\"><a href=\"#part2\">Part 2: The Two Most Important Factors in Sensitivity Selection<\/a><ul><li class=\"\"><a href=\"#factor-1-distance-to-the-sound-source-far-field-vs-near-field\">Factor 1: Distance to the sound source (far-field vs. near-field)<\/a><\/li><li class=\"\"><a href=\"#factor-2-does-your-product-have-a-built-in-speaker\">Factor 2: Does your product have a built-in speaker?<\/a><\/li><\/ul><\/li><li class=\"\"><a href=\"#part3\">Part 3: High Sensitivity vs. Low Sensitivity \u2014 When to Use Each<\/a><ul><li class=\"\"><a href=\"#when-to-choose-high-sensitivity-22-to-35-d-bv-pa\">When to Choose HIGH Sensitivity (-22 to -35 dBV\/Pa)<\/a><\/li><li class=\"\"><a href=\"#when-to-choose-low-sensitivity-42-to-55-d-bv-pa\">When to Choose LOW Sensitivity (-42 to -55 dBV\/Pa)<\/a><\/li><li class=\"\"><a href=\"#when-to-choose-medium-sensitivity-35-to-42-d-bv-pa\">When to Choose MEDIUM Sensitivity (-35 to -42 dBV\/Pa)<\/a><\/li><\/ul><\/li><li class=\"\"><a href=\"#part4\">Part 4: Real Product Examples \u2014 Industry Estimates<\/a><\/li><li class=\"\"><a href=\"#part5\">Part 5: The &#8220;My Product Has a Speaker&#8221; Problem \u2014 A Deeper Look<\/a><\/li><li class=\"\"><a href=\"#part6\">Part 6: Common Mistakes<\/a><ul><li class=\"\"><a href=\"#mistake-1-higher-sensitivity-is-better-because-it-picks-up-more-sound\">Mistake 1: &#8220;Higher sensitivity is better because it picks up more sound.&#8221;<\/a><\/li><li class=\"\"><a href=\"#mistake-2-i-will-just-use-digital-gain-if-the-microphone-is-too-low\">Mistake 2: &#8220;I will just use digital gain if the microphone is too low.&#8221;<\/a><\/li><li class=\"\"><a href=\"#mistake-3-my-echo-canceller-is-good-so-i-can-use-a-high-sensitivity-microphone\">Mistake 3: &#8220;My echo canceller is good, so I can use a high-sensitivity microphone.&#8221;<\/a><\/li><li class=\"\"><a href=\"#mistake-4-the-same-microphone-works-for-all-my-products\">Mistake 4: &#8220;The same microphone works for all my products.&#8221;<\/a><\/li><\/ul><\/li><li class=\"\"><a href=\"#part7\">Part 7: A Note on Polar Pattern (Omnidirectional vs. Unidirectional)<\/a><\/li><li class=\"\"><a href=\"#part8\">Part 8: Sensitivity Selection Checklist<\/a><\/li><\/ul><\/nav><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"part1\">Part 1: What Is Microphone Sensitivity?<\/h2>\n\n\n\n<p><strong>Definition:<\/strong>&nbsp;Sensitivity tells you how much electrical output a microphone produces for a given sound pressure.<\/p>\n\n\n\n<p><strong>Standard test condition:<\/strong>&nbsp;1 kHz sound, 94 dB SPL (1 Pascal) \u2014 roughly the volume of a normal conversation at 30 cm.<\/p>\n\n\n\n<p><strong>Common units:<\/strong>&nbsp;dBV\/Pa or mV\/Pa<\/p>\n\n\n\n<p><strong>One rule to remember:<\/strong>&nbsp;<em>Higher (less negative) number = higher sensitivity<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>-26 dBV\/Pa (50 mV\/Pa) \u2192 HIGH sensitivity<\/li>\n\n\n\n<li>-38 dBV\/Pa (12.6 mV\/Pa) \u2192 MEDIUM sensitivity<\/li>\n\n\n\n<li>-50 dBV\/Pa (3.2 mV\/Pa) \u2192 LOW sensitivity<\/li>\n<\/ul>\n\n\n\n<p>Think of sensitivity as the microphone&#8217;s &#8220;volume knob.&#8221; A high-sensitivity mic turns quiet sounds into usable signals. But it also turns loud sounds into distortion.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"part2\">Part 2: The Two Most Important Factors in Sensitivity Selection<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"factor-1-distance-to-the-sound-source-far-field-vs-near-field\">Factor 1: Distance to the sound source (far-field vs. near-field)<\/h3>\n\n\n\n<p>Sound gets quieter as distance increases. A normal voice at 10 cm is about 90 dB SPL. The same voice at 2 meters is about 65 dB SPL \u2014 25 dB quieter.<\/p>\n\n\n\n<p><strong>Implication:<\/strong>&nbsp;If your microphone must pick up sound from far away (security camera, room voice control), you need&nbsp;<strong>higher sensitivity<\/strong>. If the user is always close (phone, headset), you can use&nbsp;<strong>lower sensitivity<\/strong>.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"factor-2-does-your-product-have-a-built-in-speaker\">Factor 2: Does your product have a built-in speaker?<\/h3>\n\n\n\n<p>This is the most common mistake we see. Engineers choose a high-sensitivity microphone because they want &#8220;good pickup,&#8221; forgetting that their own product&#8217;s speaker is only 1-10 cm away from the microphone.<\/p>\n\n\n\n<p><strong>The problem:<\/strong>&nbsp;That close speaker produces 100-110 dB SPL at the microphone \u2014 much louder than the user&#8217;s voice from 50 cm away. A high-sensitivity microphone will saturate, cause echo, or start howling.<\/p>\n\n\n\n<p><strong>Implication:<\/strong>&nbsp;If your product has a speaker (smartphone, smartwatch, smart speaker, walkie-talkie, tablet), you need&nbsp;<strong>lower sensitivity<\/strong>&nbsp;\u2014 often much lower than you think.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"part3\">Part 3: High Sensitivity vs. Low Sensitivity \u2014 When to Use Each<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"when-to-choose-high-sensitivity-22-to-35-d-bv-pa\">When to Choose HIGH Sensitivity (-22 to -35 dBV\/Pa)<\/h3>\n\n\n\n<p><strong>Your product looks like this:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Security camera, baby monitor, glass break detector<\/li>\n\n\n\n<li>Far-field voice control module (for a TV or set-top box where the speaker is separate)<\/li>\n\n\n\n<li>Conference room microphone (ceiling or table, 2-3 meters from speakers)<\/li>\n\n\n\n<li>Recording device for quiet environments<\/li>\n<\/ul>\n\n\n\n<p><strong>Why high sensitivity:<\/strong>&nbsp;The sound source is far away. A low-sensitivity microphone would output only 1-2 mV from a voice at 3 meters \u2014 lost in the noise floor of your ADC or amplifier. High sensitivity brings that weak signal up to usable levels.<\/p>\n\n\n\n<p><strong>Typical polar pattern:<\/strong>&nbsp;Omnidirectional (you don&#8217;t know which direction the sound comes from at distance)<\/p>\n\n\n\n<p><strong>What to watch for:<\/strong>&nbsp;High-sensitivity microphones have lower Max SPL (usually \u2264110 dB). Keep them away from loud speakers.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"when-to-choose-low-sensitivity-42-to-55-d-bv-pa\">When to Choose LOW Sensitivity (-42 to -55 dBV\/Pa)<\/h3>\n\n\n\n<p><strong>Your product looks like this:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Smartphone (especially for speakerphone mode)<\/li>\n\n\n\n<li>Smart speaker with built-in music playback<\/li>\n\n\n\n<li>Smartwatch or children&#8217;s wearable<\/li>\n\n\n\n<li>Walkie-talkie or two-way radio (mouth very close to mic)<\/li>\n\n\n\n<li>Car hands-free kit<\/li>\n\n\n\n<li>Any device where a loudspeaker sits within 10 cm of the microphone<\/li>\n<\/ul>\n\n\n\n<p><strong>Why low sensitivity:<\/strong>&nbsp;The close speaker or close mouth produces very high SPL at the microphone. Low sensitivity prevents ADC saturation, echo cancellation failure, and howling. You lose a few dB of far-field pickup, but your product actually works in real use.<\/p>\n\n\n\n<p><strong>Typical polar pattern:<\/strong>&nbsp;Often still omnidirectional, but some designs use unidirectional to reject speaker direction<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"when-to-choose-medium-sensitivity-35-to-42-d-bv-pa\">When to Choose MEDIUM Sensitivity (-35 to -42 dBV\/Pa)<\/h3>\n\n\n\n<p><strong>Your product looks like this:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Traditional phone handset<\/li>\n\n\n\n<li>Bluetooth headset (not speakerphone mode)<\/li>\n\n\n\n<li>Computer microphone (laptop internal)<\/li>\n\n\n\n<li>Voice remote control (TV remote with mic)<\/li>\n<\/ul>\n\n\n\n<p><strong>Why medium sensitivity:<\/strong>&nbsp;The user is close (5-20 cm) but there is no powerful built-in speaker competing. This is the &#8220;safe middle&#8221; range that works for many voice communication products.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"part4\">Part 4: Real Product Examples \u2014 Industry Estimates<\/h2>\n\n\n\n<p><em>Disclaimer: The values below are approximate ranges based on public teardowns, acoustic analysis, and industry reference designs. Actual implementations vary by product generation and acoustic architecture.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Product Category<\/th><th>Has Own Speaker?<\/th><th>Estimated Sensitivity Range<\/th><th>Design Rationale<\/th><\/tr><\/thead><tbody><tr><td>Security camera (e.g., Arlo, Ring-class devices)<\/td><td>No (or very small beeper)<\/td><td>-26 to -30 dBV\/Pa<\/td><td>Must pick up voices from 3-5 meters away<\/td><\/tr><tr><td>Far-field smart speaker (first gen, limited playback)<\/td><td>No external high-power speaker<\/td><td>-30 to -35 dBV\/Pa<\/td><td>Optimized for wake word detection at distance<\/td><\/tr><tr><td>Smart speaker with integrated music playback (Echo-class devices)<\/td><td>Yes, high-power speaker close to mic<\/td><td>-42 to -48 dBV\/Pa<\/td><td>Lower sensitivity prevents music from saturating mic<\/td><\/tr><tr><td>Smartphone internal mic (normal call and speakerphone)<\/td><td>Yes (earpiece and bottom speaker)<\/td><td>-38 to -42 dBV\/Pa<\/td><td>Balanced for near-field speech and echo prevention<\/td><\/tr><tr><td>Smartwatch \/ children&#8217;s wearable (Gizmo-class devices)<\/td><td>Yes, extremely close (3-8mm)<\/td><td>-50 to -55 dBV\/Pa<\/td><td>Speaker-to-mic distance is tiny \u2014 howling prevention<\/td><\/tr><tr><td>Walkie-talkie \/ two-way radio<\/td><td>Yes (earpiece speaker)<\/td><td>-50 to -60 dBV\/Pa<\/td><td>Mouth is 2-5 cm away, speaker also very close<\/td><\/tr><tr><td>TV voice remote<\/td><td>No (TV speaker is separate)<\/td><td>-32 to -38 dBV\/Pa<\/td><td>User holds remote near mouth, but needs some range<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"part5\">Part 5: The &#8220;My Product Has a Speaker&#8221; Problem \u2014 A Deeper Look<\/h2>\n\n\n\n<p>This deserves its own section because it is the #1 reason customers return to lower-sensitivity parts.<\/p>\n\n\n\n<p><strong>The scenario:<\/strong>&nbsp;You are designing a product that has both a microphone and a loudspeaker in the same housing. Examples: a smart speaker, a smartphone, a smartwatch, a children&#8217;s tablet, a two-way radio, a Bluetooth speaker with microphone.<\/p>\n\n\n\n<p><strong>The wrong instinct:<\/strong>&nbsp;&#8220;I want the microphone to pick up the user&#8217;s voice well, so I will choose a high-sensitivity microphone.&#8221;<\/p>\n\n\n\n<p><strong>What actually happens:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The speaker is 1-15 cm from the microphone<\/li>\n\n\n\n<li>At moderate volume, the speaker produces 95-110 dB SPL at the microphone<\/li>\n\n\n\n<li>The user&#8217;s mouth is 30-100 cm away, producing 60-80 dB SPL at the microphone<\/li>\n\n\n\n<li>The speaker is 20-40 dB louder at the microphone than the user&#8217;s voice<\/li>\n<\/ul>\n\n\n\n<p><strong>The failure modes:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Echo:<\/strong>&nbsp;The far-end caller hears their own voice delayed<\/li>\n\n\n\n<li><strong>Howling:<\/strong>&nbsp;When the user raises volume, loop gain exceeds 1 \u2192 sustained squeal<\/li>\n\n\n\n<li><strong>Saturation:<\/strong>&nbsp;The ADC clips on loud music or speech from the speaker<\/li>\n\n\n\n<li><strong>Wake word failure:<\/strong>&nbsp;The voice assistant cannot hear the wake word over its own music<\/li>\n<\/ul>\n\n\n\n<p><strong>The fix (industry best practice):<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Start with a sensitivity that seems&nbsp;<strong>too low<\/strong>&nbsp;\u2014 typically -45 to -50 dBV\/Pa<\/li>\n\n\n\n<li>If your echo canceller is strong, you can go up a few dB<\/li>\n\n\n\n<li>Never assume a &#8220;standard&#8221; -38 dBV\/Pa mic will work in a speaker product<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"part6\">Part 6: Common Mistakes<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"mistake-1-higher-sensitivity-is-better-because-it-picks-up-more-sound\">Mistake 1: &#8220;Higher sensitivity is better because it picks up more sound.&#8221;<\/h3>\n\n\n\n<p><strong>Why wrong:<\/strong>&nbsp;Higher sensitivity also picks up more noise, saturates on loud sounds, and has lower Max SPL. A product that works well in a quiet lab may fail in a car, near a speaker, or in a crowd.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"mistake-2-i-will-just-use-digital-gain-if-the-microphone-is-too-low\">Mistake 2: &#8220;I will just use digital gain if the microphone is too low.&#8221;<\/h3>\n\n\n\n<p><strong>Why wrong:<\/strong>&nbsp;Digital gain amplifies noise by the same amount as signal. You cannot recover SNR that was lost in the analog domain. If your microphone output is buried in the ADC&#8217;s noise floor, no amount of digital gain will fix it.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"mistake-3-my-echo-canceller-is-good-so-i-can-use-a-high-sensitivity-microphone\">Mistake 3: &#8220;My echo canceller is good, so I can use a high-sensitivity microphone.&#8221;<\/h3>\n\n\n\n<p><strong>Why wrong:<\/strong>&nbsp;Echo cancellers have dynamic range limits. If the speaker saturates the microphone&#8217;s output or the ADC input, no algorithm can recover linearity. You must prevent saturation in hardware.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"mistake-4-the-same-microphone-works-for-all-my-products\">Mistake 4: &#8220;The same microphone works for all my products.&#8221;<\/h3>\n\n\n\n<p><strong>Why wrong:<\/strong>&nbsp;A microphone that works perfectly in a security camera (far-field, no speaker) will howl immediately in a smartwatch. Sensitivity selection is product-specific.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"part7\">Part 7: A Note on Polar Pattern (Omnidirectional vs. Unidirectional)<\/h2>\n\n\n\n<p>Sensitivity and polar pattern are separate specifications, but they interact in real products.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Omnidirectional microphones:<\/strong>&nbsp;Pick up sound equally from all directions. Best for far-field applications where you don&#8217;t know the sound direction. Most ECM and MEMS microphones are omnidirectional.<\/li>\n\n\n\n<li><strong>Unidirectional microphones:<\/strong>&nbsp;Reject sound from the rear. Useful when you know the sound direction (e.g., the user&#8217;s mouth) and want to reject noise or a loudspeaker. Often have slightly lower sensitivity for the same diaphragm size.<\/li>\n<\/ul>\n\n\n\n<p><strong>Recommendation for most products:<\/strong>&nbsp;Start with omnidirectional. It is simpler, cheaper, and works well with proper sensitivity selection. Only move to unidirectional if you have a specific rejection requirement (e.g., a loud fan behind the microphone).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"part8\">Part 8: Sensitivity Selection Checklist<\/h2>\n\n\n\n<p>Run through this checklist before finalizing your microphone BOM.<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>What is the typical distance from the user&#8217;s mouth to the microphone?<\/strong><br>&#8211; If &gt;1 meter \u2192 high sensitivity (-26 to -32 dBV\/Pa)<br>&#8211; If 15-50 cm \u2192 medium sensitivity (-35 to -42 dBV\/Pa)<br>&#8211; If &lt;10 cm \u2192 low sensitivity (-42 to -55 dBV\/Pa)<\/li>\n\n\n\n<li><strong>Does your product have a built-in speaker?<\/strong><br>&#8211; If YES, and the speaker is within 10 cm of the microphone \u2192 subtract 5-10 dB from your initial sensitivity estimate<br>&#8211; For smartwatches or very compact devices \u2192 start at -50 dBV\/Pa or lower<\/li>\n\n\n\n<li><strong>What is your ADC or preamplifier&#8217;s maximum input voltage?<\/strong><br>&#8211; Calculate expected output at maximum SPL (speaker or shout)<br>&#8211; Leave 6-12 dB headroom<\/li>\n\n\n\n<li><strong>Do you need tight matching for a microphone array?<\/strong><br>&#8211; For 2+ microphones, specify tolerance \u2264 \u00b11 dB (MEMS recommended)<\/li>\n<\/ol>\n\n\n\n<p><strong>The most important takeaway from this guide:<\/strong><br><em>If your product has its own loudspeaker within 10 cm of the microphone, do not use a high-sensitivity microphone. Start low (-45 dBV\/Pa or lower) and test upward.<\/em><\/p>\n\n\n\n<script type=\"application\/ld+json\">\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What is microphone sensitivity?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Sensitivity tells you how much electrical output a microphone produces for a given sound pressure. It is measured under 1 kHz, 94 dB SPL (1 Pa). Common units are dBV\/Pa or mV\/Pa. Higher (less negative) number means higher sensitivity.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Should I always choose a high-sensitivity microphone?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No. High sensitivity is only for far-field applications where the sound source is far away. 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Sensitivity must be chosen correctly in the analog domain.\"\n      }\n    }\n  ]\n}\n<\/script>\n","protected":false},"excerpt":{"rendered":"<p>What sensitivity means, how to choose the right value for your product, and why higher is not always better. Part 1: What Is Microphone Sensitivity? Definition:&nbsp;Sensitivity tells you how much electrical output a microphone produces for a given sound pressure. Standard test condition:&nbsp;1 kHz sound, 94 dB SPL (1 Pascal) \u2014 roughly the volume of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4168,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[747,746],"class_list":["post-4166","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-technical-insights","tag-audio-design","tag-microphone-sensitivity"],"_links":{"self":[{"href":"https:\/\/ecmicrophones.com\/it\/wp-json\/wp\/v2\/posts\/4166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ecmicrophones.com\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ecmicrophones.com\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ecmicrophones.com\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ecmicrophones.com\/it\/wp-json\/wp\/v2\/comments?post=4166"}],"version-history":[{"count":2,"href":"https:\/\/ecmicrophones.com\/it\/wp-json\/wp\/v2\/posts\/4166\/revisions"}],"predecessor-version":[{"id":4170,"href":"https:\/\/ecmicrophones.com\/it\/wp-json\/wp\/v2\/posts\/4166\/revisions\/4170"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ecmicrophones.com\/it\/wp-json\/wp\/v2\/media\/4168"}],"wp:attachment":[{"href":"https:\/\/ecmicrophones.com\/it\/wp-json\/wp\/v2\/media?parent=4166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ecmicrophones.com\/it\/wp-json\/wp\/v2\/categories?post=4166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ecmicrophones.com\/it\/wp-json\/wp\/v2\/tags?post=4166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}